Advertisement

Science Friday
Play that monkey music
Tunes inspired by tamarin calls seem to alter the primates’ emotions
font_down font_up Text Size
access
MOVING MELODYCotton-top tamarins (one shown) seem to respond with emotion to professionally composed cello music based on their calls. Bryce Richter/University of Wisconsin–Madison

Listen to the monkey sounds / music at the bottom of the article.

When people play their funky music for cotton-top tamarins, the monkeys hardly get their groove on. But playing monkey music does the trick. Cello music that mimics tamarin calls seems to bring forth the same sort of emotions in the monkeys that the original calls would have elicited, researchers report online September 1 in Biology Letters

People from many different cultures respond similarly to certain musical characteristics, such as inflection and pitch, says coauthor Charles Snowdon of the University of Wisconsin-Madison. “But we shouldn’t expect other species to process it in the same way.” He and coauthor David Teie of the University of Maryland School of Music in College Park wanted to know whether monkeys’ emotional states could be manipulated by music the way people’s emotions are.

Teie, a composer and cellist, used traits from calls that tamarins made in response to both stressful and calming situations to create a series of original compositions designed especially for monkeys, using cello and voice. 

After listening to a 30-second clip inspired by contented vocalizations, the tamarins acted calmer and more social than usual, grooming each other more and eating more. Threatening music, full of ch-ch-ch noises and short staccato notes on the cello, made for anxious monkeys. In this case, the tamarins moved around from perch to perch and urinated more frequently than usual. 

“I think it’s a very creative approach,” says cognitive biologist Tecumseh Fitch of the University of Vienna in Austria. “It’s unusual to have a composer and scientist interact like this.”

Snowdon says even the music that made the monkeys content is not pleasant to the human ear. The tamarin calls are higher pitched than human voices and use faster tempos. Likewise the authors report that the monkeys showed no response to samples of human music, except for an unexpected ‘calm’ reaction to a rousing piece by the heavy-metal band Metallica.

Even though it sounds different, the music tamarins and people find relaxing or stressful shares some common core elements. Long legato notes and certain jumps in pitch, such as the jump from do to mi in the do-re-mi of Western music, are calming sounds for both the monkeys and people. Clashing chords and short staccato bursts seem to have menacing associations. 

Snowdon says these similarities suggest that tamarins and people may share evolutionary roots for music. But neuroscientist Joshua McDermott of New York University says further studies would be necessary to make that claim.

“Although I don't see that these initial results tell us a whole lot about the origins of human music, I think there are extensions of [the study] that could,” McDermott says. He also says he would like to see the researchers use a more objective measure of the monkeys’ stress—for example, levels of the hormone cortisol.

The suggestion that tamarins rock to a different tune than people do could help improve the quality of life for captive monkeys, Snowdon says. Zoos and labs that play human music to try to keep animals’ minds active might not be doing them a favor. 

“If our music is as irritating to monkeys as monkey music is to me, it’s probably not a good idea for captive facilities to turn on the radio,” Snowdon says.       


MONKEY MUSIC Cellist David Teie composed and performed music designed to induce a calmed (top) or threatened (bottom) feeling in tamarins using an analysis of the monkeys’ calls. The sounds are all produced by human voice and an 18th century cello. (Courtesy of David Teie.)

CELLO CALM

CELLO THREATENED

MONKEY CALLS A contented tamarin call (top) is marked here by a descending cascade of pitches, whose regularly spaced drops in tone are easier for humans to hear when the call is slowed down and lowered three octaves (center). A threatened call (bottom) has a raspy, grating quality and short staccato notes. (Charles Snowdon/University of Wisconsin–Madison.)

TAMARIN CALL CALM

TAMARIN CALL CALM (SLOWED DOWN)

TAMARIN CALL THREATENED 


Found in: Behavior, Life, Psychology and Zoology
Comments 6
  • Now that we know the monkeys have feelings to show, we can start thinking about values they carry.
    They don't go to war, they do not polute nor burn their forests, they care for each other, they respect their lands, they ... let's say, look more human than ourselves in those point of views...
    In case Darwin missed the point, the monkeys shall be our next generation, instead of last.
    I'm seriously accepting this theory.
    We came from vegetable, both human and animals... they are more free than us, they know God by thousands, living in villages, but they still do not care for Him.
    Maybe from monkeys we still have to evolve into bugs, of butterflies, the upmost of inteligent and creative life, for me.
    ketinunkantim ketinunkantim
    Sep. 2, 2009 at 3:36pm
  • The calm cello one appears to be extremely irritating to my cats (especially the female one) more so than the cello threatened piece.
    rostheskunk rostheskunk
    Sep. 3, 2009 at 11:49am
  • Ket your post seems wrong on so many levels. First of all monkey's engage in violent behavior all of the time and secondly Darwinian evolution doesnt result in beings that are morally superior from generation to generation, just beings that are more successful at reproduction and survival.
    myles Ray myles Ray
    Sep. 7, 2009 at 4:53pm
  • Music Is An Inherited Plus Paloved Trait


    A. "Play that monkey music"
    [Link was removed]
    Man-made music inspired by tamarin calls seems to alter the primates’ emotions, a new study suggests.


    B. Music is both an inherited plus a Pavloved trait, characteristic

    Hearing plus memory are evolutionarily culturally selected for survival. Their combinations are both consequences of remembered emotions and - via a natural Pavlovian process - also inspirators of emotions.


    C. Also "Why Music Touches Us", Nov 2005
    [Link was removed]

    My conjecture about music 'touching-moving' us:

    Music is a human cultural-artifactual elaboration of creatures' vocal communication which is an extension-elaboration of >24 wks-old in-womb fetus' and of newborns' intimate safe-coddle-sooth experiences. Both 'touch' and 'hear' senses are founded on mechanical sensing processes involving in-cell ions leakage forming electrical action potentials interpreted neurologically.

    I suggest-conjecture that the same neurological constellation may be handling both 'touch' and 'hear' senses, being of commom mechanisms and differing essentially only in switch-on modes, and that this evolves in all vocal creatures in conjunction with in-womb safe-feeling, and later with baby codling-handling and vocal soothing-communicating, and later also with intimate emotional implications. Hence music has 'engulfing-touching-emotional' connotation and personal music orientation has childhood-ethnic rootings.


    D. IMO a proper elucidation of music-memory-emotion complex in unavoidably long,

    since it should extend from fetal through adolescennt phases.


    Dov Henis
    (Comments From The 22nd Century)
    Updated Life's Manifest May 2009
    [Link was removed] #2321
    EVOLUTION Beyond Darwin 200
    [Link was removed] #1407
    Dov Henis Dov Henis
    Sep. 8, 2009 at 4:07am
  • Wow I have never heard of this before, what an interesting spiritual story. It's truly an inspirational and interesting story. [Link was removed]
    Craig Blakely Craig Blakely
    Jan. 5, 2010 at 6:15am

  • [Link was removed]
    [Link was removed]
    [Link was removed]
    [Link was removed]
    [Link was removed]
    [Link was removed]
    [Link was removed]
    [Link was removed]
    [Link was removed]
    [Link was removed]
    [Link was removed]
    m9bnat m9bnat m9bnat m9bnat
    Jan. 7, 2010 at 4:11am
Post a comment (Please note: All links will be removed from comments.)

Please login or register to participate.


Advertisement
Suggested Reading:
seperator
  • Bower, B. 2009. Feelings, universal musical feelings. Science News 175(April 11): 14.
    [Go to]
  • Bower, B. 2009. Birds bust a move to musical beats. Science News 175(May 23): 8.
    [Go to]
  • Milius, S. 2000. Music without borders: When birds trill and whales woo-oo, we call it singing. Are we serious? Science News 157(April 15). Available to subscribers at
    [Go to]
Citations & References:
seperator
  • Snowdon, C. T., D. Teie. 2009. Affective responses in tamarins elicited by species-specific music. Biology Letters, in press.
    doi: 10.1098/rsbl.2009.0593
Reader Favorites:
seperator
SN on the Web:
seperator